Preparing for filming meant making sure we had all the right equipment. Nathaniel took charge of researching and selecting the best cameras to capture the fast-paced action of the street racing scenes. We needed cameras that could handle high-speed footage while still maintaining crisp detail. Along with the cameras, we rented stabilizers to ensure smooth shots while driving, and action cameras for a first-person perspective from inside the cars. We also rented a drone to get aerial shots of the races, adding a dynamic layer to the film’s visuals. David was in charge of organizing the lighting, especially for the night scenes. We needed the lighting to feel dramatic but not overpower the action, so we tested different setups before filming began. As we worked through the equipment list, we realized how important every detail would be in bringing the film to life. The crew came together to set everything up the day before shooting, ensuring that each piece of gear was ready to go. ...
For our short film, we're focusing on the urban thriller genre, and after watching The Silent House (2010), I gained new perspectives that will help shape our project. The film makes excellent use of long, unbroken shots to create a sense of real-time tension, keeping the audience on edge as they follow the protagonist through the dark and isolated house. The minimal soundtrack is effective in building suspense, relying more on the ambient sounds—creaking floors, wind, and distant noises—to unsettle the viewer. The mise-en-scène in The Silent House features dim lighting, with shadows and limited light sources, creating an oppressive atmosphere that reflects the protagonist’s growing sense of fear. The editing is sparse, with few cuts, which heightens the feeling of immersion and increases the tension as events unfold. What I love most about this genre, as shown in The Silent House , is its ability to evoke deep fear and suspense from the environment and the protagonist's iso...
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