Preparing for filming meant making sure we had all the right equipment. Nathaniel took charge of researching and selecting the best cameras to capture the fast-paced action of the street racing scenes. We needed cameras that could handle high-speed footage while still maintaining crisp detail. Along with the cameras, we rented stabilizers to ensure smooth shots while driving, and action cameras for a first-person perspective from inside the cars. We also rented a drone to get aerial shots of the races, adding a dynamic layer to the film’s visuals. David was in charge of organizing the lighting, especially for the night scenes. We needed the lighting to feel dramatic but not overpower the action, so we tested different setups before filming began. As we worked through the equipment list, we realized how important every detail would be in bringing the film to life. The crew came together to set everything up the day before shooting, ensuring that each piece of gear was ready to go. ...
After watching 12 Monkeys and La Jetée , my first takeaway is the stark difference in how the two stories are presented, yet how they both share core themes around time travel, memory, and the fragility of human existence. La Jetée , as a short film, relies heavily on still images to evoke emotion, and this choice creates a surreal, dreamlike atmosphere that is both captivating and haunting. The minimalistic approach allows the audience to focus on the emotional weight of the protagonist’s journey, which is communicated primarily through the narration and powerful visuals. On the other hand, 12 Monkeys , the feature-length film, uses live-action sequences to create a more dynamic and immersive experience. The full-length version builds on the foundation laid by La Jetée but adds layers of action, character development, and a more complex narrative structure. Watching the video helped me understand how both mediums use their respective tools—still images in the short versus live-...
For our short film, we're exploring the urban thriller genre, and after watching The Neighbor (2017), I’ve gathered valuable insights that will influence our approach. The film uses tight shots and shaky camera movements to create a feeling of unease and to immerse the audience in the protagonist’s perspective. This is accompanied by a minimalistic soundtrack that features eerie ambient sounds, like footsteps or creaking doors, which amplify the tension as the protagonist’s paranoia grows. The mise-en-scène in The Neighbor uses dim lighting, with dark rooms and limited visibility, enhancing the sense of claustrophobia and danger. The setting itself—an isolated apartment complex—becomes almost as much of a character as the people in it. Editing is quick, especially during moments of suspense, with jump cuts that make the audience feel just as disoriented as the main character. What I enjoy most about the urban thriller genre, as demonstrated in The Neighbor , is how it uses the e...
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